• NSPP 2020

    “Mama”
    i’m sitting on my mama’s bed
    and she’s on the brink of a mental breakdown
    over her homework
    i can see the glint of a blinking cursor 
    tears glossing over her eyes
    as her hands search for words in a language
    all too foreign to her.

    she said i could count in both spanish and english 
    by the time i was 18 months old
    but it's taken her 21 years and counting to flatten out
    the unruly kinks of her language

    my mama’s English
    is a stubborn wine stain on a white dress
    she scrubs at her twisted tongue desperate
    to clean the spice, el cilantro, la salsa
    that is her accent. 
    her accent is the tambourine she hides
    in the back of her mouth
    behind the ivory piano keys that are her teeth
    she speaks a merengue, bachata, ranchera, tonada
    that she mutes to make room 
    for her English.

    my mama’s English 
    gets told it's pretty good, 
    for being an immigrant
    to which she replies
    you’ve got some nerve
    for being a gringa
    because my mama wasn’t a stay-at-home mom
    for fifteen years to be told that her English
    needed housekeeping. 
    the beauty of my mama’s English
    is that she doesn’t need it 
    to knock your head off your shoulders
    call her a luchador
    cuz she can make you tap out faster
    than you can say
    her English isn’t good enough.

    my mama’s English
    is me correcting her at the dinner table
    it’s me laughing when she can’t find
    the right syllables and sounds
    and the words don’t fit quite right
    in her mouth.
    it’s the downturn of her lips
    at the expense of my smile
    because her English is not 
    the punchline of a joke 
    that’s gotten too old.

    my mama’s English
    is the piñata she got me on my 10th birthday
    big and bright and pink and purple
    but hollow on the inside
    it’s her count to three
    uno, dos, tres
    as she spun me blindfolded
    dizzy and facing the wrong direction
    it’s the swing and miss of my bat
    and the candy and confetti that falls
    in the final hit that breaks it open.
    it’s a game of pin the tail on the donkey
    no matter how many times you play
    you never just get it quite right.
    it’s the quinceñera I never had
    overrated and stereotypical
    distastefully too latina
    it’s the number birthday candles
    that melt hot wax onto the cake 
    she made from scratch
    it’s the reason my birthday is not just
    a happy birthday but a feliz cumpleaños
    it’s the reason that when i go to my friend’s parties
    i want to sing happy birthday twice
    because mama never let us blow out candles
    before singing en Español.

    my mama’s English
    is the one dollar and 35 cent Cuban coffee
    i drive her to get every saturday 
    itching at the back of her throat
    bitter and hard to swallow
    only sweet from the sugar left 
    in the foam she licks off her top lip
    it’s the reason she insists 
    the starbucks double espresso
    doesn’t have the same kick.

    it’s the reason i’m sitting on mama’s bed
    watching her eyes swell as she fumbles with the keys
    it’s the reason she got into graduate school at 42
    why i help her with her homework before i do my own
    it’s why the bottom of her computer burns my lap
    with each oxford comma and restructured sentence
    and fixed grammar rule

    it’s why she doesn’t end up crying
    when i whisper that everything will be ok

    my mama’s English
    is the reason i can tell her in two ways
    that she is my everything, mi todo
    because her love knows no language.


    “De tal palo tal astilla”
    it’s superbowl sunday with your son
    and he’s wearing your favorite kansas city chiefs jersey
    like a cape.
    he holds his coke can to his chest
    like you balance your budweiser on your belly
    laughs at the barbeque in your beard
    and hopes he’ll grow up to be just like daddy someday.
    but then the halftime show comes on,
    and suddenly your family-friendly event—
    you know, the one that encourages boys
    to take their tackles and concussions like men—
    is ruined the moment two Latinas take an American stage.
    and when you gasp in mock disapproval, you’ll shield your son’s eyes 
    from the “obscenities” on screen because
    you’re afraid he’ll look at Shakira and J. Lo the same way you look at them.

    look at them the way I’ve been looked at my entire life.
    look at them the way I was looked at sitting in a shoe store 
    while my dad shopped for sneakers two aisles over
    by a group of men my father’s age.
    i heard their heavy boots before i heard their whistles call me “chica.”
    I was eight years old the first time I was made to carry sex appeal.

    or maybe you’re afraid your sweet son
    will become a Cody,
    the 22-year-old guy who approached me
    after dual enrollment at community college
    and asked me who i was waiting for.
    didn’t stop when i said “my mom” even though
    he knew i wasn’t even old enough to drive a car.
    complimented my shirt and jewelry
    but what he meant was that he liked the way
    my gold chain dipped from my collarbone to my chest
    that from my gold hoops he could tell that my hips don't lie
    he called me “exotic”
    turned my nationality into a flirty guessing game.
    “you must be Puerto Rican, no, Columbian, no, Mexican, no
    Venezuelan, Cuban Argentinian, Dominican??—”
    no. 
    what i am is sick and tired of men like you
    fetishizing my culture.
    what i am is sick of old white man thinking i can be
    their “hot-tamale” token Latina trophy wife
    i am sick and tired of being cast as the “Spicy Latina” television trope
    i am not your sexy maid turned homewrecker
    hypersexual, hot-blooded, hothead
    your sassy, sensual Sofia Vergara type,
    some big breasted brainless beauty
    i am Latina.
    i am conditioned to be treated this way
    through a history of submission and subjugation
    you see, i’ve learned we Latinas have been
    a white man’s conquest for centuries.

    i’ve learned you only like my exploitation 
    when it’s convenient for you.
    that it’s ok for your private pleasure 
    at a shoe store or on the streets,
    but the moment a Latina takes pride, is empowered by her culture 
    she is inappropriate, disgusting, crude, suddenly too sexy
    we have become a disruption to your family-friendly game of violence
    for something far more harmful to children:
    Latina women dancing, apparently, because at least
    football players have the decency to cover their bodies.
    but no one remembers that Adam Levine performed shirtless last year,
    or that Lady Gaga wore a barely there bodysuit
    or what nearly-nude thing Katy Perry, Madonna, or Britney Spears wore
    because at least their curves
    are subdued by white.

    even though you’ll cover your son’s eyes
    you can’t protect him.
    he’ll become just what you raised him to be.
    look at women like me the way men like you do.
    you’ve made him blind to his own hypocrisy.
    and when your son becomes a man
    you’ll take pride in your creation.


    “To the boy who called my girlfriend and me the f-word on Valentine’s Day”
    to the boy who called my girlfriend and me
    the f-word on Valentine's Day,
    no, not that f-word
    you know, the f-word used to describe
    cigarettes and marginalize gay men
    yeah, that one.
    the one so offensive i can’t even say it in this poem
    the one that’s too strong of a slur for competition
    so to the boy who gave no real-life trigger warning
    this poem is for you. 

    i bet you didn’t expect 
    for our first reaction to be laughter.
    we looked over our shoulders 
    to search for the typical victim:
    a skinny, flamboyant gay boy—
    his hands perched on his hips
    but when we didn’t see him
    we saw ourselves.
    saw how we hold hands with fingers intertwined,
    not cupped loosely like best friends do.
    how i make sure my heels
    are at least an inch taller than hers
    how she trails behind me
    because she always says I walk too fast
    we laughed because we were in disbelief.
    i wondered if you could see the way
    i hide my pride in my pink eyeshadow and waterproof mascara.
    the way i tuck my sexuality in the hair behind my ears
    and keep my promise ring on a necklace
    to bury inside my dress.
    i wondered what about my girlfriend’s flower patterns said “queer”
    i wondered if you could tell by the weight of her earrings
    i wondered if she had done her hair differently
    if you would have said anything at all.

    you see, the thing about being a feminine gay girl
    is that you have the privilege of passing.
    because as long as you look like the rest of your friends,
    they’ll never accuse you of hitting on them. 
    because the more men still find you attractive, 
    the less likely you are to emasculate them
    and better yet, if you’re bisexual
    even if you and your girlfriend are going two years strong,
    if men still think you could be interested, you’re safe.
    but the thing about being a feminine gay girl
    is that when you date a girl after breaking up with a boyfriend
    the boys in pre-calc will still ask,
    “was he really that bad to turn you gay?”
    will still follow you to your locker 
    and ask if it was because he was a bad kisser
    and when you finally have the nerve to speak up
    you find yourself defending your sexuality
    to a couple of  guys who will never care.
    to a couple of guys who will watch their friend
    call two girls ff---(forgot I still can’t say that word, even though you did) 
    on Valentine’s Day.
    to a couple of guys who will do nothing 
    but laugh along and say it with you.

    to the boy who called my girlfriend and me 
    the f-word on Valentine’s Day,
    i hope your friends found it funny.
    i hope your friends found it funny
    that i drove home the next day shaking.
    that i turned up the radio trying to tune out his words
    replaying like lyrics in my head
    but his song was on repeat and i was stuck on the chorus.
    i hope your friends found it funny
    that when i told my mom your words
    behind stutters of tears
    she told me “that’s how the world treats people like you.”
    told me it’s not worth being upset over the ignorance of three boys
    but what she didn’t know is that i was glad that’s all you said.
    that i was glad we weren’t the two girls on a London bus
    harassed by five teenagers.
    that i was glad there were only three of them
    that you didn’t demand that we kiss
    and rob and assault us when we refused
    that i was glad we wouldn’t leave our blood on a bus window
    be beaten and bruised and have our noses and jaws 
    broken for love
    that i was glad our date ended at her house
    and not at the hospital.

    to the boy who called my girlfriend and me
    the f-word on Valentine’s Day
    and to the boys from pre-calc that i never reported
    even after months of harassment
    i dedicate my pain and this poem to you.

    and to the family i still can’t come out to
    to my younger-self, who shoved away her feelings
    because she was embarassed to call herself gay.
    to my girlfriend, whose hand i’m still afraid to hold in public
    i’m sorry.
    i’m sorry that even after three years
    i still can’t come to terms with my sexuality
    i’m sorry that you have to share my burden
    the product of a boy’s humiliation
    because i’m still ashamed.
    and i’m sorry that even in a poem
    where i’m only supposed to be the victim of an ignorant boy
    i’m actually the victim of my own shame.
    Isabella Ramirez

    Isabella Ramirez
    Grade: 11

    Educator(s):

    Awards: Poetry
    2020 National Student Poet

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